#illit thoughts

[vex91]

Maybeee Sakai Moka as a gf both sfw and nsfw ...

I'm gonna answer it as a thought and also MOKA 🛐🛐 Also I couldn't force myself to write NSFW for her I'm sorry 😭

Okay so Moka as your gf is a heaven and I'm not joking. She's always prepared to help you with everything and anything like an angel <3

I imagine that the two of you would start dating around a year after becoming friends because Moka would be afraid to confess for a while to not scare you away but she finally asked you out with her friends encouragement. After making sure that Yunah won't follow you to stalk you both for fun, she took you to the cinema to see the new movie that just came out that she remembered you wanted to watch. Later a walk and some ice cream were a must.

Since she debuted it became harder for the two of you to meet up but she still used all the opportunity she had to see you and when she couldn't she called and texted you. On tours she always takes something that remind her of you and your hoodie to feel closer to you whenever she misses you.

During movie nights you better be prepared because SHE WILL play some of her favorite horror movies that she thinks you might like. If you are scared then she will comfort you or even turn it off completely if she sees it's too much and plays some cheesy romance or comedy to cheer you up.

[rikihyph]

THE MOST HANDSOME BOY IN THIS WORLDDDD!!!!

Nishimura Riki - 05 line!

[bellelovesyou]

        ⭐️ smoothie, smoothie, smoothie, smoothie

@sakkurify

[dwaintydoll]

this time i want ♡ you you you you .ᐟ

like it's magnetic , u u u u u

[onwriting-hrarby]

respectful thoughts on concept vs aesthetic in the new kpop generation

[disclaimer: this is a very light opinion article about kpop. i am not dissing any groups mentioned, since i love them all, and i'm straying from bringing any negativity. the fact that i don't like some of the music these groups make doesn't mean i can't acknowledge their hard work. often, my critique falls to the managements.]

so, these last few weeks we've had some 3rd generation comebacks in the kpop community and some debuts and other well-known comebacks for the newer generations. but, mostly, i'm going to talk about how music in kpop has been westernalized to the point of becoming mostly generic, forgetting what made kpop since the beginning: concept.

the reason why i like 2nd and 3rd generation the most in kpop is not because of the music, dance or vocals, although i admit it irks me a lot that nowadays most idols won't sing live (like, ever), but because i think it's the pinnacle of concepts vs aesthetics.

what is concept and what is aeshetic: red velvet

let's take my amazing girls, red velvet, my favourite group, and their last comeback. when the teasers were released, we all thought we were going to go "velvet", this time (although i hope we would go red, and i have an inkling we would go red velvet). but the gloominess of the pictures, the elegance, the way they seemed out of the museum strayed a little bit further from the quirkiness of birthday and they felt more serious, much like "peekaboo" concept pictures or even "feel my rhythm's".

when the song released, we were all surprised. we love it, as we normally do with red velvet, but the problem with the main public was that their expectation of the concept of the pictures didn't correlate with the actual concept of the song.

and that's because the teasers were nothing but aesthetics. the aesthetic was dark but the concept was "red velvet". when the idea of the whole paraphernalia around the song doesn't link with the music of the song, we are not talking about a concept but about a aesthetic. a concept is cohesive in the ways we think the song: from the notes, the rhythm, to the message, the pictures, the way we promote it. aesthetic is taking what we feel "looks good" and putting it into a concept that doesn't need it. aesthetics don't tell a story, concepts do.

it doesn't mean that chill kill wasn't a good album or a good comeback. it means that it was at fault since the beginning, because we were waiting to be told a story how red velvet does, from the music itself, while it felt like they were telling it from the pictures.

(that is also what has happened with the lastest comeback of nct dream).

almost all of the 3rd generation groups, and mainly girlgroups, debuted with a clear concept: red velvet (red and velvet concept), mamamoo ("live" concept), girlfriend (kind of 'magical' sphere), blackpink, dreamcatcher, loona, and i feel like this is being left behind to accomodate more "aesthetics", and music —kpop— feels less genuine. that's why i'm not feeling very tied to the kpop sphere anymore: it's all about consumption.

bts and the consumption of kpop

i love bts, and i'm a long time bangtan fan since they debuted, but i am confident in saying that after "fake love" (maybe let's stretch to "idol") their music wasn't as striking. it wasn't that they didn't have a good production, or didn't do their best, or weren't at their best ("black swan" is still amazing in all senses, for example, and works perfectly as a song), but i think it's because they were "westernalized" in the concept vs aesthetics idea. while before bts used to have a clear concept, not only of what they meant as a group and wanted to tell, but also later as it migrated to the trilogy of "love yourself", after they hit it big in 2019 they started confusing, to my opinion, the concept with the aesthetic: they didn't do albums for the sake of telling a story or concept anymore, but for the sake of milking the cow (not the boys' fault). don't get me wrong: mots 7 still had a clear concept in the CD, but it didn't feel as whole as a BTS project anymore. rm even said something along the lines of "we have to stop because we have lost sight of what we're doing".

that's because in the west we're not used to concepts but to aesthetics: the music is not cohesive with a preestablished idea of storytelling, but with the artist. most of the bands and soloists don't change the music style as to what music their storytelling needs but to what their personal needs as an artist do. take taylor swift, for example: every cd is different, but it's cohesive in what taylor swift does. as a long taylor swift fan too, when we got from "speak now" to "red" we were utterly confused, because that's when she began changing her aesthetic, and therefore, her music, but because the concept was "taylor swift", it was still recognizable. she's not the first one: it also happened with the beatles, "revolver" being the first album to truly differ from the others, only to completely change their music with "sgt pepper's". ariana grande changes aesthetics, but her music is mostly cohesive throughout, so does billie eilish, lorde, dua lipa. we would refer to it as having a "music style".

with bts, they found a huge market in the west. it wasn't the only incursion in kpop: after bts and blackpink, twice did, too, and we also had the jopping and popping of the sm super group—which, come on, it didn't land of obvious reasons—and we have aespa, gidle, and more. but bts was the first group to hit it BIG. we will all probably remember exo, red velvet, dreamcatcher and gfriend being ultra famous overseas, but not like bts and blackpink are.

BTS started changing their music around that time. the comebacks after 2019 didn't feel cohesive with what BTS was in their roots. "boy with luv" is a pop song that took us by surprise. "on" didn't land as well as black swan even though i personally love it. "be" didn't have a clear storytelling (or maybe a pandemic storytelling, too soon, imo). the most flagrant cases of BTS losing their concept to the aesthetic was "dynamite" and "butter", but mostly "butter": when "dynamite" was out, it made our summer. it was truly AMAZING. it couldn't get better. it felt like the song we needed, and it should have won the grammy. but it didn't, so they tried to replicate the same song with butter. really: listen to it. it uses the same rhythm, structure, the same "catchyness", and mostly, the same aesthetic.

blackpink, while we can criticize about the quality of their songs and how they use the same structure too—almost to a boring, predictable result—stood true to their concept since the beginning. if we hadn't been used to BTS management of concepts, we would have found that "butter" and "dynamite" worked well in the same way "how you like that" and "kill this love" too. but blackpink always played more with the "music style" than the concept, because when you repeat a concept over and over, not only in storytelling but also the musical creation, it become your signature music (to the point of a meme, almost).

but since BTS started changing and having their much deserved fame, look what happened to other hype groups: txt released their "disco" blue hour, tried to fit it into their concept (imo, they didn't do it very well). gfriend released "mago", while it's a good song it strays too far from the gfriend we were used to (and no: apple wasn't an incursion to far away lands. it still sounded 'magical', just like gfriend did). seventeen did something similar, too. the playfulness of the 70s/80s spread without regarding the groups unique concepts.

sm stood true to themselves: they had already made songs with "disco" (shinee, 'look' by red velvet...) and in contraposition they tried to westernize the concept of NCT. it hasn't worked, because no male group will ever be BTS, even though i believe exo could have had a huge chance only if they had appeared two years after. jyp went into hybe's direction, but kept it true to their group's concepts (itzy didn't sound the same as twice or stay kids). yg wasn't in their best moments as a business, then.

with bts in the west, the whole point of kpop and 3rd generation shifted: they aren't marketing songs aligned to the concept anymore, but to the aesthetic of the song. twice concept had started radically changing with "fancy" and "cry for me", but now it feels like they are just recycling their music over and over (also because twice concept, in the ageist era we live, is difficult to maintain once the members get old.) nct is a mess, trying to have catchy lyrics that utterly don't make any sense. gidle's english songs pale in comparison to the amazing songs in korean. aespa and itzy's english comebacks haven't hit is big. it feels as if there's a "line" that one has to cross to go to the west, which is leaving all your uniqueness of your concept back in korea to make it. and only bts and blackpink have mastered this (even though "the feels" by twice was a big success). [disclaimer: when i talk about success or failure i'm not talking about numbers, but about quality of the song.]

the case of gidle, stay c and aespa

those four groups are, to me, the ones that have maintained their concept all along. i don't talk about boygroups of the 4th generation because i'm not very familiar with them, but let me tell you about discovering gidle and aespa, and then stay c and new jeans:

gidle: they are a strange case, because they don't have a clear concept. that's because their concept, just like red velvet, changes every comeback while maintaining a concept identity. when gidle debuted, i named them the "red velvet daughters" and they still have to fail me in that sense. they are truly versatile, and it feels like they can do any concept they like while maintaining an identity, even with the loss of soojin.

aespa: when they debuted, i was utterly... scared. i didn't know what sm was pulling, and everyone celebrated them as the 4th gen leaders (when itzy was still doing the best numbers). i knew they weren't going to be, because they would stick to the concept. they are still one of the best artists in the 4th generation girlgroup space, and incredibly succesful, but ive has had more sellings, for example. but: numbers doesn't prove quality. ive's music, although very good, feels like there are other groups that could make it. while aespa's music feels unique to aespa. aespa has stayed so true to their concept much like blackpink does (i truly suffered with girls, because i was demaning a slight concept change, i was getting bored) and i think it's safe to say that the kind of music they do is very impactful, always experimental, like what sm pulls best. aespa will have a longetivity that itzy doesn't have (damn, i love itzy so much) just because sm has understood aespa's concept, while jyp still has to grasp what itzy is truly doing. and if itzy gets it right, aespa and itzy will become iconic to their eras.

stay c: now, my girls. truly underrated! stay c is the reencarnation of old bubbly kpop. they are consistent, both with their concept, aesthetic and music. you don't get the feeling that they release for big masses, even if all kpop does generally. they know what they do as a group and they do it incredibly well while staying true to their concept. they have twice producer and it shows because it definitely has a feel of the early twice. they sing well, they dance well, they cooperate. they are a fully fledge group with a mission and a storytelling.

before moving to illit, the case of newjeans

now, newjeans is known to be one of the best debuts in all kpop history, and i personally have listened to their first EP a hundred times, and "ditto" is one of my favourite kpop songs ever. and the reason why they are so successful is because of min hee jin (we can hate her, but come on, she's fucking good in her job): she's a master of concepts. and new jeans had a CLEAR concept. youthful, bubbly, lovely, catchy.

but it's not going to last, i'm afraid. they are impactful and they will make numbers but i truly think that they won't be as legendary as everyone has made it to be and that's because they've taken the same bts route, but far too early. FAR TOO EARLY. their last EP may have a concept as an EP but it feels somehow disconnected to what new jeans represented the first summer. i don't think they should stick to one concept forever—they would encounter the same problems as twice—but they have changed it too quickly without giving it time to properly experiment all the layers of it. differently from gidle or red velvet, which established themselves as truly versatile from the beginning, new jeans have strayed from their path soon enough but not far enough. their songs feel catered to the commodification of content, now, and frankly, almost all of the songs in their last EP, while experimental (and i love it) sound too cohesive, to the point that you listen to the EP while not paying any attention and it might go over your head. their voices' tone, too, which were part of the concept of "youthful girls" are too similar to each other, which makes it difficult to grasp a turning point in the song. you can have same hair, same clothes, but you shouldn't have the same voices and songs over and over.

and that's why groups like illit have debuted now with much success:

ILLIT and the depersonalization of kpop

illit is, to me, the most flagrant cases of confusion between concept and aesthetic and how kpop is shifting nowadays. of course, i have done my research: i've listened to the album, watched most of the "live" performances. and while doing so, as someone who doesn't have a clue why this group was formed (as will do the 80% of the people who first listens to illit), i thought: oh, this is new jeans.

NO, i'm not saying they are the same or they are copying the girls. it's not illit's fault, as it's not all the groups i have been mentioning (the fault is capitalism): but their debut song sounds too much like new jeans, the 2nd ep. they have the same long hair. same youthfulness. and i thought, oh, well, alright. new jeans 2, it's good. it's okay.

UNLESS! i read that they were going for the "magical" concept. truly?, really? are they... magical? they have magical appearances, fairy-like, the dresses are magical, the way they move is truly magnetic (get the pun?), but their music is not.

and that's the fault of what we've been living with the last kpop nowadays: music is concept-less. they live for the aesthetic of the music, but the music feels generic in itself. because it is not unique to what the group wants to cater. they do what's selling, and try to mask it as something original, while it is not. aesthetic is not the same as concept: someone who dresses like dark academia and brings their books to a fancy library and takes pictures doesn't mean they are living for a concept. they are living for the aesthetic because they like it, but the way they experience the aesthetic will be the same as the other people, because there is only one aesthetic.

aesthetic happens when there's empty concepts, while concepts happen when one thinks about the aesthetic, embodies it to a way of turning it over and make their own thing about it.

[fennthetalkingdog]

Being someone who was aroace until they figured out they were trans is so weird because I'll start complaining about amatonormativity and how I as an aroace person am inconvenienced and then I have to stop my train of thought and remind myself I'm bi, not aroace anymore xD

[bibitzy]

my fiancé referred to illit as “newer jeans” and i’m 😭😭😭

[minjv]

i’ll like you - illit

initial: i’m most interested in pimple bc no one names a song that without a solid reason + believing it’ll be iconic. tick-tack is the one that caught my ear the most in the highlight medley. i already watched the cherish mv and i knew i was going to adore it but it really blew me away with just how stellar it was. they’re solidly establishing themselves as concept queens and i love to see it

i’ll like you: fun moving bass. really full sounding production. ohh i loooove chanting in songs <33 i wish she was longer though

cherish (my love): absolutely stellar opening, the mv was everything i could have wanted but so much more. minju’s vocals are heavenly. yuna is shining in this song and mv too 🫶 this chorus snippet has been stuck in my head for the past week and i’ve been anticipating it sm. the verses sound so good. can’t believe we got a bridge too 😭 the mv was really hard pushing yuna’s visuals (as they should)

iykyk (if you know you know): i don’t think i had any thoughts about this from teasers. just positively neutral. ahhh the chorus hits. it’s like lucky girl syndrome’s more chill sister. + a legit rap :o ik they said this ep was a really different side of them from SRM + it’s definitely coming through in the music, while still firmly building on their established sonic identity.

pimple: wonhee opening maybe? it’s very wistful but hopeful. it’s so pretty. lots of sweet vocal moments here. i can’t wait to read lyrics bc it sounds so sentimental and contemplative. also super interested in seeing a live performance + lines distributions to know exactly who has what lines bc they all sound so lovely

tick-tack: ohhh i love this opening. this is just pure fun. what a great album closer. this is sooo tailored to me. i think the people who love her are going to absolutely adore her. definitely going to be one of their iconic bsides. awww ending the album on “nice to see ya” how cuuute

overall thoughts

this makes so much sense as their first cb. it absolutely follows well and logically from SRM. it delivers everything that was lovable about their debut while developing and making it more interesting

it’s much fuller + diverse than debut mini. i want to cry over having five new songs i was going crazy only having the four to loop

belift is doing great so far at picking TTs for them. the concept + choreo + song are all amazing. i really couldn’t have asked for better. my only criticism is the length but that’s virtually every release the past two years. the songs feel like they’re the right length though, not like they’re lacking or short

i’m so happy with this and for them. i hope they have a wonderful promotion period and i’m sooo excited to follow it + see how the rest of their career develops 🤍🤍🤍🤍🤍

current ranking on two listens is: cherish (my love) -> tick-tack -> pimple -> iykyk + i’ll like you

[poguniversity]

[felixsslutwife]

lixies quote of the day #37

"baby"

"im just tryna play it cool"

"but i just cant hide that"

"i want u"

[eulaties]

THIS ALBUM???? HOW IS EVERY TRACK A BANGER

[prael]

Pliancy

Kinktember Day 4: Dollification

ILLIT Park Minju x male reader smut

words: 6,488 Kinktember Masterlist

Art is eternal. Who was it that once said that a thing of beauty is a joy forever? Was it Byron? Was it Yeats? Who cares. But that line, however trite, does kind of get the concept down, really, as clichéd and insipid as it sounds.

Minju, too, is a joy forever, with her soft face, her sweet body, and her delicate touch. On this, I will allow you an image: she was the absolute pinnacle of girlhood, the perfect blending of innocence and wanton sexiness. When you pressed her slender wrists down into the sheets of her bed with those pale, thin fingers and pinned her slender body with your cock, you became one with a living, breathing piece of high art. The feeling of that, ah, that is something you cannot ever convey. And that's probably how it started, your obsession with her; she was beautiful and delicate and utterly desirable. She had all the loveliness of a porcelain figurine; just looking at her could arouse you, bring about your lusts and make your mouth dry up.

But there is something, and you realise this, something both primal and shameful, about wanting to sully that image of innocence. Not, of course, that your feelings towards Minju are wholly visceral—you do love her, and genuinely so. The things you do may imply something different, a detachment from her as a person if someone were looking in from the outside, but just as you assured her, it's an act born out of admiration. It's an act out of devotion.

To dollify the living, breathing, loving, feeling organism called Minju, then to make her merely an object for your desires. Ah, there's something wonderfully, gloriously filthy in that—the violation and the liberation. In all those actions and thoughts, you can be sure, is that undercurrent of perverseness and lust. Your lips tracing across Minju's navel is an act of passion, one to express the fullness and warmth that has bloomed inside your chest. Your hands gripping her thighs so tight that they leave deep, crimson fingerprints on the skin is an act of passion too—one to express a primal need.

When it all starts, Minju, a girl so usually full of energy and vivacity, is demure and quiet; she sits in this stoic way in front of you, knees together and her hands resting on her thighs, just below the table. The table holds the tools of your art: hairclips, mascara, lip gloss, nail polish and everything else. She waits, as she always does, in silent expectation.

Minju wears the outfit you laid out for her that afternoon. The fabrics are light and flowing, cotton in a milky off-white colour hugging her upper body and a linen shirt whose billowy sleeves hang around her slender arms; at the wrists, she keeps the cuffs rolled up. Cotton shorts, equally soft, equally neutral in colour, held to her small waist by a ribbon as a makeshift belt. All of it was chosen specifically by you—it's all so very angelic, and comfortable. Innocent.

You set about your work, asking her to place a hand on the table. Nails take the longest to dry so you start there: you paint the end of each of her slender fingers one at a time, taking great care, letting her rest her hand in the palm of your own as you go through the motion. Whisper-like strokes of the brush over the thin keratin in a pastel shade, the pink of newly-blossomed cherry flowers. A compliment to her fair complexion. 

One hand done, you raise it closer to your mouth and gently blow over the fingertips, to quicken their drying. Her hand, in yours, is ever so small. So petite. You remark this, smiling, and her expression—wide-eyed and quietly attentive—softens. It's a sight so adorable; how the ends of her lips upturn as if you've said something exceptionally touching. That's the thing with Minju; you just never quite get used to how much trust and affection is conveyed in those big, soft eyes.

Not long until the other hand is done, perfect crisp painting without a single smudge, or mistake.

You screw in the brush, then stand to move the table aside, you pull it away from her and then push it away. You kneel at her feet, hand resting gently on a small calf. You lift a leg, then draw your hand down it, to her heel. Bare feet, too, are a marvel in and of themselves: smooth skin over arched bones. Like all good things, it's imperfect; she's a dancer after all, still, she takes all the care to moisturise and you take all the care to massage them.

Now, Minju is ticklish, always has been, so when you take hold of her foot in preparation to paint her nails, she struggles not to break composure, and yet a cute little smirk betrays her. With one hand, you hold it steady; with the other, you reach to the table and draw the brush from the pot of white paint. White like the brightest snow, a winter's morn. You make slow, even strokes, over her nails, starting with the big toe and making your way down the digits, till her little feet are thoroughly and beautifully made up.

She flinches occasionally, under your touch, but with great care, you never make a mistake. No stain on her flesh. Repeated for her other foot too, each followed by a patient period of gently blowing, which sees her struggle against the tickling of her flesh even more. This time, she moves, almost unable to help it—and you know that to admonish her would not be the gentlemanly thing.

"It's okay Minju. Relax," you tell her, softly, as she takes a steadying breath, "that's it. Good."

It is here where you see a glow of pleasure and a hint of a smile on her pretty, youthful face, at hearing words of praise from you. This you know well: to Minju, your affirmations have an almost spiritual significance. In all the time you have known her, she has yearned to do well, to make others around her happy, to gain approval and affection, and as someone important in her life, this sentiment extends to you.

"My angel," you call her, not for the first time, and definitely not for the last. You lean close to place a gentle peck of your lips against her leg, just above the ankle, which causes her to stir. But that's okay, a moment of weakness is ever expected. You shift away from her leg, letting the soft flesh slip from your hand, and admire the neat work you have done so far. "There we go."

You bring your chair close to her, so you can sit, knee to knee across from her and set to work on her pretty features. First, you frame her face by clipping back the locks of fine honey-brown that threatened to obscure her eyes. Then you take the lip gloss in a soft rose colour, and a slender, synthetic-haired brush, and begin the work of accentuating her lips. Start at the top and glide over the curve that runs along her cupid's bow. Define the fine edges and then coat, to treat yourself to a shimmering pink glow; a shine over the otherwise natural look.

"Perfect. Oh, how I want to kiss them."

Minju doesn't say a word but the look in her eye speaks all the same, 'I wish you would do it.'

She remains still as you take hold of the thin eyeliner pencil in one hand and Minju's chin with the other, carefully positioning the tip under the lash line, and drawing it slowly, ever-so-carefully. Drawing a light, curved line to the side, first on her right, and then on her left. Do the same, light and clean, under the bottom lashes, being extra sure to define her creases.

Her eyes, as you study them, are so rich and vivid in colour that they command all of your attention and all of your efforts. So you work carefully, deliberately; being this close to her means you can see each speck, each mote in those deep, earthy brown irises. This intimacy, the face-to-face nearness of it all, brings on a unique vulnerability: when she closes her eyes next, to allow you to apply shadow to her lids, Minju puts herself at your mercy.

Minju's lips part and a small but noticeable hitch of her breath follows as you pull yourself away and admire your work. She has this kind of seductive natural pout—soft, shapely. Something alluring that the angles of her mouth lend her. As you sweep blush powder over her cheeks with a fine, oval-shaped brush, she utters a soft question, "How does it look?"

You bring a finger to rest against the fullness of her cheek, letting it trace along her soft flesh, down her jaw, and under her chin—before bringing it upwards, a physical prompting, to make her lift her chin higher. "Perfect. Always."

It occurs to you, as you define her eyebrows in quick, practised strokes, that for all the work you put into her, the inhuman focus and the undivided attention, this effort is nothing against the absolute, undying beauty that is Park Minju. It's a sort of colour-by-numbers deal; with all the perfect lines drawn out, it's up to you—a mock amateur—to simply embellish, to exaggerate, what is already there. To add shadow, light, and life.

You finish your work creating ('Creating' is the wrong word, more so, refining) the perfect doll. Minju keeps still, and patient. Beautiful.

"Precious girl."

By her earlobe, just below the jaw, there is a spot. The most perfect, sensitive area, to which you bow your head. Close your eyes. Place your lips. You kiss this spot, slowly, dragging your lips against her flesh, across it, revelling in the delicate softness. Revelling in her soft little moan, muffled only by pursed lips.

You push your chair back, and stand, looking down at her from above. You draw the clips back from her hair and it falls back into the perfect place. You circle around her once, slow, methodical. Taking all of her in, marvelling.

The greatest treasure in all the world. A masterpiece.

She follows your every guidance as you pull her to her feet. After all, she is, for tonight, nothing more than a doll. Pliable. Openly, and explicitly, subservient. You turn her and position her before a full-length mirror set in the far corner of her room. There she stands, arms at her side, staring back at you with doe-like, innocent eyes. There you stand, tall, strong behind her, hands on her arms.

"Perfect. You really are the most precious girl."

Your grip on her upper arms is gentle but firm as you ease her forward into a bend at the hips, tilting her towards the mirror as you place her into a pose. Fingers playing lightly down her limbs, like stroking the keys on the piano, or the strings on a guitar. You place her hands behind her back, and instruct her expression, "Give me a sweet smile."

Your voice is quiet in her ear as she nods, just the slightest, almost indiscernible incline of the head. She stares down the mirror as her full, kissable lips slowly contort into a charming, simpering smile, the type that the most beloved princesses often wear. You press up behind her, brushing your body tight against hers and see how that lovely little grin of hers slowly stretches up, to become ever so slightly crooked.

In your reflection in the mirror, you see yourself behind her. She holds perfectly still, hands fixed as if bound at the wrists, legs set slightly apart. "Pretty, don't you think?" You ask, teasingly. You press a little into her upper back, angling her in such a way that in the reflection you see down her cotton shirt, revealing the taut, soft curve of her small breasts. The sight of that, the teasing glance, is intoxicating. It brings a slight tremor down your spine, one you swallow down with a sharp breath. "Yes," you assure her, "Very pretty."

Her breathing comes laboured now, sharp little gasps; perhaps it has started to arouse her too, knowing herself to be at the mercy of your hands. Knowing herself to be nothing more than an object at this time—a living doll. To be used, played with, broken, toyed with, cared for or cast aside as you will.

You pull her to a stand and guide her away from the mirror. Her legs are long but you tower over her. She's so light to the touch, the petite girl, that should you need to, you could carry anywhere you desire in one swooping embrace.

You lead her to her dresser, to pose her against it. You guide her lithe left leg, so it crosses over the right one, you place her hands on the wood and let her rest against it. And she, docile, complies. "Like this?" She whispers.

"That's perfect."

You draw the collar of her shirt over her left shoulder, the one closest to you, until it hangs at around elbow height, exposing the skin underneath. A bare arm, all the way up to the strap of her tank top. You smile, admiring your own work, her poise and posture. You adjust her face, so she gazes slightly down in front of her. A final check to ensure the pose is perfect. It doesn't hurt that Minju is a natural when it comes to expressions: there is always some inflexion to the curl of her lips and the shape of her eyes, that says, 'I love this'.

You take the final unused item from the table, a Polaroid camera, one of the new instant types. This one, white, boxy and expensive, is perfect to capture Minju's pristine beauty. One image taken of her here, a pose in the frame, holding the photo to wait for it to develop is worth, it seems, a thousand words. It never ceases to amaze you: how well the camera captures her: how it draws out that natural aura of Minju and depicts it on the fine gloss. It makes, in effect, a perfect keepsake.

You take two more shots, each one giving you pause for appreciation. Each one, was perfect, like it was a scene from an album cover or the poster for a movie. She watches you from her position, gazing intently at you with a lovingly longing gaze. Watching you in fascination, and admiration.

You hold one in front of her. "This is my favourite, look at the way your leg curves here," you point to it, showing her. "And here, the shoulder, just at that angle. See the light dancing in your eyes and on the pink gloss, on the lips. Beautiful."

She remains lifelessly still staring at herself in the print without a word or reaction.

"Now, just one more like this, but first..." You place the camera slowly on the dresser, then grab the hem of her shirt. You fold it in under itself a few times until it sits taut across her stomach, just above her button. Her narrow waist is set into beautiful relief: a curvature down toned abs leading to between her thin hips. Then you pull at the other shoulder of the shirt, more pale skin, more svelteness of form, more smooth flesh. There's a light shiver through her skin as you graze her arm with your finger.

You push slightly into her chest, leaning her back a little over the dresser and then you tilt her head back exposing her neck. Soft lips fall open just the slightest, like the petals of a rose blooming, a faint gasp of a moan parting her pink lips, and her heavy breathing filling her heaving chest.

Taking the camera, you step back, crouch slightly, hold the lens up to eye height and take the shot; a flash and a click of the shutter is followed by a slow hum and a whir of the plastic film rolling out. Another polaroid, you take it to her, tugging lightly at her chin to direct her gaze to it. "This one," you breathe in close to her, placing a kiss on her exposed neck, "is something truly special." You fix on her scent, something fruity and soft: orange blossom undertones.

Minju lets out a soft gasp.

"This one turns me on. The exposed skin. The lustful eyes. Those parted lips, like an invitation," you utter, "do you know how beautiful you look, Minju? How sexy?"

The deepening of her breath tells you what you want to hear.

"New pose. Come here." You take hold of her bare shoulders and pull her to a stand. Her shirt hangs at her back between her elbows. You move behind her as you guide her toward the window, opening her curtains wide and letting the final embers of sunlight in to kiss her skin. You slip her shirt from her arms that hang by her side. "Let's lean you against here."

You guide her hands onto the sill of the window. Let her hands rest flat against it. Hold her by the hips and pull them back, making her shuffle her legs back. Make the curve of her ass tighter, the flex of her lower back deeper.

You pose her into this deep bend, then guide her face up so she faces the evening light. So she basks, regally, in the final glow of the setting sun, and you can see the pinking hue reflected in her eyes.

"Be a good doll and remain still."

The heat has turned Minju's pale flesh red, but you soothe her with a palm, a brush against a soft cheek and an affectionate 'hush'. You fixate upon the curves and lines of her back, following the path of her spine down with your hand, taking care to remain in the hollow. That central channel carved through her back that draws down the centre, passing by dimples in her lower back before widening at the hips and merging into her tapering waist, is a work of art unto itself. 

A simple touch of a kiss against that soft flesh at the base of the spine, and Minju fails to disguise a sharp breath as you kneel, her bare calves become a mounting point for your hands. She inhales in soft, controlled bursts as your fingertips stroke around the curve of her lower leg, working around and under the leg, dragging slowly upwards as you make careful circles over her toned calves, till your finger hits the lower thigh. Upward, further. Her body trembles gently as your hand traces along her inner thigh, up to her light cotton shorts where you draw your hand over to the back of her thighs and back down.

"Be a good doll," you repeat, quiet, breath warm against her lower back. You hook your fingers into her shorts, running your palms on her taut, toned little ass. Slight tremors from Minju ripple through your skin as you hook in the fingers of either hand beneath the elastic of her underwear too. A lingering hesitation passes as you focus, and in the serenity of the moment, you draw everything down in one slow, measured pull. The sight of the white cotton dragging down over the firm roundness of her ass has you weak.

You stop at her ankles, and one at a time, you lift a foot out of the clothes, and pull them free, planting her foot back down in a slightly wider stance. You look up, and to her faint reflection in the window, and admire the look she wears, the unnerving determination to hold still and say not a single thing. The deep red hue paints her skin as the day darkens.

"Stay," you command.

You find the camera one final time, to indulge in one final intoxicating shot: Minju, back beautifully lit by the last remnants of the sun's rays, the light striking her skin and making the paleness and tone all the more beautiful; the slight swell of her hips, the small, firm, almost apple-like curve of her behind, and those slim toned thighs in the shadow.

"Hold for me, don't move."

She stares resolutely into the distance through the window, hands clutching the edge of the window sill as you draw the viewfinder to your eye once again. Click, a flash and a whir. The exposure of the light behind her leaves a shadowy image on the thinning film of her nude behind; the smooth line of her legs, her trim waist and that sweet little thing between her legs. An air of sophistication; and one of sin.

"See this?" You show it to her and the embarrassment causes a flutter in her eyes; the arousal of watching her own bare ass on the printed film causes the slightest redness of her cheeks. "I'm going to use that right there. Stay."

There's another twitch in her eyes as you walk away and leave her there, still posing, looking as sensational as ever. You walk out the door, to drink, relax, anything to make her wait. Make her suffer the indignity of exposure and vulnerability.

You spy her through the doorway and never does she move a muscle, your little doll-girl stands there obediently as requested. Time passes—several minutes. And yet she, with such admirable determination, wills herself to stay in position until you return. And you do. You saunter back in, slow. Walking behind her and she never once looks back over her shoulder.

You rest a hand on her waist and the contact is met with a sudden release of tension—her chest falls with a sigh. Her pose remains perfect—adulation for your hand, written in the small shakes of her body and the gradual intonations of her heavy pants. A perfect and delicate angel. Your hand slips from her waist down over the taut curve of her ass, palm resting for the briefest moment on the soft, supple flesh. The pliability. Your hand continues the path it has carved over her skin until it rests lightly between her legs.

A gentle palm over her sex sends a current through her entire form, and a tensing in her muscles is the only indication she offers that there's a struggle to suppress noise in her throat. Hot and wet and you're a man driven by impulse. You step behind her, stroking her, massaging her, then withdrawing to instead spread her slightly with a single, teasing fingertip. "Good little doll."

A clear, sticky, glistening moisture trickles onto the digit and in the way Minju shivers, you are given every impression, you're sure of it, that her lower stomach muscles have clenched tight and are presently squeezing themselves in on each other. A fever pitch is reached within her, and you're ready too.

You draw your hand away, leaving Minju suspended in torment: there is desire, there is desperation and tension that must be alleviated. That itch soothed. She must hear it, the sound of you unbuckling and unzipping. A rustle of fabric as you pull them down and take them off.

With no word, you hit a palm against her ass, a quick and painful swat with your bare hand. Hard, smacking against soft, dough-like flesh. She stifles a soft, bitten-off yelp that sends a vibration up the curve of her back. "Going to play with you," you utter quietly. "Use this doll however I like."

Your hand is drawn back over the red mark on her tender flesh, stroking the mark, massaging, and it soon heats against your palm. You follow it by pressing the very tip of your dick, gently, against her opening. Enough pressure there for you both to know where the next moments go and a slight motion—only the gentlest thrusting—to grind that sensitive flesh in. Just enough to make her bite back her lower lip, to struggle against the overwhelming urge to break her poise.

To add to that struggle, the sensation, you lull her, deceive her, by trailing your length against her slick, tender folds, then abruptly drag it over the tight hole right there at the back. One more light tap there too, right on her little asshole, that drives her into a daze. Then you take her slit again, spreading her open, rubbing yourself over that hot hole and sending her a thousand electric tingles up through her hips.

You thrust once, a single long thrust, right into her little pussy, as much as her wetness will allow until resistance forms. Then back out, completely. Glistening with the slick fluids, you slap your shaft against her ass a couple of times. Wetness dripping, staining those tight cheeks. Then a wet slap of your hand to a cheek. Testing when she will break. Searching for that whimper, that moan, or maybe she'll hold it so well that a tear will form in her eye.

You fill her again, use her a little, rocking your hips back and forth. A careless use of her for pleasure, no consideration for her, for what she might desire and it is pure torture to her. One hand circles over her ass, grazing over the reddened mark, you let it settle on the top of her thigh for leverage and dig your fingertips into the skin. Another few firm pumps into her. Out. All the way out.

Dripping fluid pools around her slit, spilling out down her thigh, hot. "There's no better use for you than this," you hiss, as you smear the wetness over her flesh with the swollen head. The discomfort, the uncertainty, all of it written on her reddened skin and trembling lips. Another few slow pumps up her. Thrust, thrust, thrust. Draw out—slow, torturous—and then fill her again, rough, and violent, driving yourself up hard against her soft skin. Again. "Just like a sex doll," you groan. "Like you're a dirty toy."

Those words draw this low growl inside her, and Minju shudders under the intensity, this vibrating noise rising in her. Fuck, it feels wonderful in her, tight, burning hot—soft, yielding—wet, messy. Drive into that tension, the squeeze on you, where she can feel you so full and snug inside her.

Allow yourself for a moment, to just enjoy her, as she is. She will allow you to, don't fret. Enjoy her as a possession, something lesser than yourself; an object to be manipulated, used and owned. Let her be your slut and let the words roll around in your head. There are times you prefer to fill her with long, agonising strokes, and there are those other times that are frantic and hurried. She takes it all, wilfully and willingly and adoration flows through your veins.

No care for if she cums, you simply use her too. It is not in a casual disregard for her desires, or in selfish pursuit of pleasure at the sacrifice of her. No, no. That is not true. Minju wants this. She cares less about her own pleasure than you. Should she cum, then maybe that would be a nice perk to all of this, but all she wants is to submit herself as a vessel for yours. To serve as the implement to which you expel everything. You have taken her into that dream world she desires to inhabit, where she's an item to be manoeuvred as one wills.

And so you get close, right inside of her—clutch, tense—as she milks you so exquisitely, squeezing and so soft, so fucking silken-smooth and at the very last, you pull out—every last drop is captured on Minju's skin. Her spread ass, her back, thighs.

For all the care you took, perfecting her makeup, now a fine sweat paints a layer across her skin and you're shooting over it and making a true mess of her. All that, her absolute purity and devotion, and what you have done is sullied it. Your doll, your most precious is dirtied. But your most precious thing in the world deserves the best you can give her.

So it is after you have painted your release over her body, that you leave her again—basking in the humiliation of how fluids trickle down her flesh. Just a toy, put aside to stand, vulnerable, debauched and unsatisfied, waiting to be picked up again and played with once more. You could leave her all night. Have her be ready and willing any time you desire. Your toy.

"Fuck, what a sight." You step away, back out of the room, spent and gazing at her. Minju, of course, keeps her back facing you the entire time, she does not dare turn back around to see her, not even to cover up or find modesty, it simply would not occur to her to do so.

Aware of the pain, the hurt of being left this way. Left unfinished. A small smile plays on your lips, the knowledge that this is what turns her on most. Her lover is out there, he's drinking, eating, watching TV, or anything, and she doesn't really know where. She just stays resting over the window ledge with her legs held apart, exposed and vulnerable.

Knowing, feeling, every stroke that has been applied over her body, every part you have made use of, and the places in which you have violated, is enough to turn Minju's insides all warm and fuzzy and soft. Your fingerprints are inked upon her flesh—traced by the veneer of liquids coating her—a record of who has marked her, owned her, as nothing more than an instrument of delight.

Until you're ready to come back, she holds back an unspoken whimper. Tension in her stomach muscles and legs threatened to give out.

Oh, how badly the poor girl yearns to be picked up, taken and fucked again and again.

Eventually, you do return, and without warning. As if you'd never been gone a moment at all, you're just there suddenly behind her, you just have that presence of power that exudes over her. You say her name—nothing else—but the tinge to your voice tells her that you've missed her.

You bring your hands around her slim waist, just above the hips, and trail upwards. Grinding back inside her feels as wonderful as ever. Still throbbing, still wet, still wanton, and she takes you in, spreading wide once again. "Missed me?" You coo, but she still never responds verbally—dutifully compliant, Minju simply moans, her cheeks flushed the same colour as her smeared lips.

You're rough with her, pulling her away from the window and pushing her into the middle of the room. Hasty, impatient, and uncaring. Now, you see, Minju weighs nothing to you, it feels like there's nothing to her; something light, lithe, easily manoeuvrable, like you can twist her and pull her without resistance.

You draw her to you, picking her up from the ground by her waist and walking forward. You set her down on a desk—her ass perching first, then you push her onto her back, drawing up her knees to her chest and pressing onto her. Oh, flexible Minju, sweet Minju: the perfect sexual tool to place and fold and screw whichever way you want.

Minju is pinned there, under you, taking you into her pussy, tight around you. Dutifully letting you shove into her repeatedly, without fight or complaint, only meek, restrained sounds of satisfaction. Letting her limbs fold, letting herself be toyed with however you need or want.

Stretch her as you take hold of her neck and restrain her to the wooden surface. You bear down on her, fucking into her with strong, sure pumps, and with every thrust into Minju, you feel her heat against your thighs and groin, her warm juices seeping down over her, and a vulgar squelching sound filling the air.

The air is dense and hot and she is flushed bright red; she gazes at you, her face etched with need. You're forcing your doll-girl, fucking her raw and hard into her desk. Rough, dominating strokes. And what does she do but squirm and moan and take every ounce of your strength? "F-fuck," she moans out the profanity, her body succumbing to the overwhelming burst of intense, numbing heat. She flinches a few times as her eyes squeeze shut.

So close, now. Another round, and there is nowhere Minju is more content than trapped, helpless, watching you near another orgasm. She doesn't even attempt to hide her delight when you're about to blow. A smile of satisfaction as you unload inside of her. A welcome sight as you feel yourself rupture, as your essence pumps into her little fuckhole. The sticky hot cum that fills her.

And Minju moans for you, breathless, happy, so lovingly joyful that her existence has resulted in this moment—this act—her purpose as nothing more than something you fuck, claim, and own.

But, there is work to be done, work you cannot shirk away from. So, with a light sigh, you wipe your forehead, you gather Minju off of the table—flickering eyelids and all—and you lead her with gentle encouragement. "Let's clean you off. There's a good girl," you say, and she holds onto your neck, as you lift her off the desk.

You perch Minju on the sink for a moment, un-trapping her legs so she can stand once you place her into the shower.

"Stay. Still."

And again, you can see that longing gaze. Sultry, drawn. She wants so much, and she needs so little.

"There," you draw out the word with a certain finality and walk behind her to start the shower, switching from bath faucet to shower nozzle, and taking great care in testing the heat of the water, to make sure not to burn her precious skin.

You start with her shoulders, sweeping her soaked locks down her back, wet, heavy and darker now. Washing her takes time, patience, and gentleness—you bring the palm of your hand over her shoulder while the other directs the shower head. The water trails down her arm, little rivulets tracing over her porcelain skin. You draw the shower across her back and admire how the water caresses the curves of her frame.

She keeps perfectly still, save the tremble that comes with the rise of her chest each time the water meets a sensitive point. Your hand follows in the water, over her sides, slowly. You draw her close against your chest, putting your head beside Minju's, looking down over her shoulder. you bring the head of the shower to her chest and let the water flow across, over the swell of her breasts.

You whisper into her ear, "Stay just like this. Let me wash down my toy after use."

Your name comes out of her mouth, a little strained, and when you wrap your arm around her and cup her little breast, she immediately whimpers. This poor girl still hasn't cum, and she's so sensitive.

You rest her against you, keeping your front flush against the curve of her back, and there is something wonderful and sweet in the way she falls back against you. Minju leans her head back on your shoulder, a nuzzle, and your hand continues to cup her and you play with her nipple. The shower, however, you bring lower and lower, down over her slender belly and between her legs.

The lower it goes, the more soft whimpers she makes, and Minju's feet begin to curl, and she draws a slow intake of air through her clenched teeth. You dip the jets of water low, and Minju finally gives out this small groan, her eyes squeezing tight and her mouth opening and closing, the words and sounds catching as she trembles all over. 

You press it against her pussy, and she bucks lightly backwards against you—hard—and grinds. A pleasured exhale, a sign of satisfaction. That the poor girl is finally getting her pleasure but "No, no, no," she says—is she feeling guilty for it?—and she struggles forward from your grasp.

"Shh... it's okay," you soothe her, but she still jerks her body. There's this fact, that always rings true, whenever you use Minju like this. Part of it, she told you before, is how in her own head she degrades herself. She tells herself that she doesn't deserve to cum. That a toy's only purpose is for others, and she will deny herself an orgasm until you give her express permission to finish herself. That's why she fights now, she is ashamed of her own arousal and enjoyment.

You press the shower hard into her clit and she groans, "I can't... I can't—"

"Yes, you can." You focus on using the shower in little circles, not allowing any distance between it and the sensitive nub. Her head falls back on you, eyes shut tight as if in anguish. "You have served me so well. You were so wonderful. Let go for me, beautiful." You murmur those things in her ear and Minju opens her lips to say something but no words form, it's simply a long, deep-seated, contented moan. A relief-filled sound that is music to your ears.

Her back goes completely tense, and her hips twist and buck, but you press firmly down, keeping her locked into the jet. She bites her lower lip, almost like she's desperate, and it hurts, the way her whole body tenses up for so many seconds before the relief sweeps over her. The sensations surge throughout her body, leaving her limp and satisfied.

After the rush passes through, she moans, over and over. Shattering pleasure has overtaken her mind and all she can think about is the joy her lover has bestowed upon her, the ultimate show of adoration and tenderness.

"Good girl. That's it. Give in," you breathe out the last sentence, and Minju moans louder, riding it out. Her body writhes violently and her toes curl as her breathing stops, she's stuck at the very height of her pleasure, but finally lets out an ecstatic, long-winded moan. You drop the shower, and cradle Minju with your whole body.

Her hips jump one last time against your hand and then she goes completely lax against you, her feet plant flat down and her whole body gives out. Minju slides back onto her heels, and her face drops toward the floor and she just smiles with pure glee. If not for you, she would collapse to the floor in this exhausted, limp state.

For some minutes, you hold Minju until she can find enough strength until the daze of her orgasm is no longer in effect.

"Now, let's really clean up."

"Let me," she says. "Let me clean you, please."

[iznyangwoni]

EASY TO LOVE | jungwon smau!

SYNOPSIS: Y/N is the so called queen of Decelis University; rich, pretty, smart, a bit mean and oh so bossy. She has one rule and one only, no one can touch the guy she claims. At least not until she gets bored. But what happens when she finds out that Yang Jungwon, the newest guy at school, is actually way easier to love than she thought?

GENRE: smau, crack, might become angst but mostly fluff

FEAT: enhypen, illit moka, ive wonyoung, &team nicholas and more...

WARNINGS: cursing, drinking and smoking mentions, suggestive, ass humor (sorry i'm trying my best 😞)

TAGLIST: CLOSED

STATUS: COMPLETE

———————————————————————

PROFILES 1 | 2

ONE - skill issue

TWO - scared?

THREE - EW

FOUR - vip tickets

FIVE - win win

SIX - the party

SEVEN - dont get too hard

EIGHT - poop head

NINE - someone is going to die today

TEN - tiny girl jail

ELEVEN - this is hell

TWELVE - good girl

THIRTEEN - the video

FOURTEEN - groceries

FIFTEEN - i wont eat you

SIXTEEN - is it over?

SEVENTEEN - after all

EIGHTEEN - talk

NINETEEN - finally mine

TWENTY - you.

[defnotsoju]

HER FIRST TIME

ILLIT'S MINJU × Y/N ( M READER )

Minju was one of those girls who always made you have mixed emotions about them. She was innocent, beautiful and very kind. Something that sometimes annoyed you about her, but at the same time sometimes made you happy.

In this situation, specifically, it annoyed you more. She was so sexy, lately her company had been making her wear too short skirts, which was pleasing to your eyes. You always had wet dreams with her for as long as you could remember, at least it happened to you often, even if not every time. You both went to the same high school, but after graduation you lost contact for a while. She began to pursue her dream of becoming an idol and now barely even communicates with her own parents, who by the way have always liked and shipped you both. A thought you actually liked.

Every night you went to bed thinking about her and even though you fucked other whores, you never stopped throbbing your cock while watching her first fancams of her debut song 'Magnetic' by ILLIT, which only fed your arouse and your desire to fulfill your dream of fucking her tight pussy. Oh yeah! You were sure she was tight just by the way the stripe on her pussy were clearly defined while wearing white safety shorts.

You heard from a mutual friend of both of you that she will be staying in Busan this week. This thought had excited you so much that you had spent the whole day trying to look good for your upcoming meeting, for which she doesn't even know about.

When you met, the situation didn't seem awkward. You talked about a lot of different things from the kind of school memories you two had. You talked about her idol career and that's actually how happy she is that her dream came true. Overall, hanging out with friends was nice because the old company was back together. Only now they had left you two alone outside, and you were thinking about so many things.

"I missed hanging out with you like this." She said causing you to raise your eyebrows and look at her in surprise. Did she miss you? Time with you? You looked at her confused. You wasn't actually confused, but you pretended not to understand. This made her pout.

"Say it again because I didn't hear you."

Minju folded her arms in front of her body as we walked towards her empty apartment in an affluent district of Busan.

"I told you I miss spending time with you. Are you happy now? Ya! Y/N! Why are you like that?"

You started laughing and she slapped you on the shoulder. You looked at her and instead of getting mad at her you slapped her as well, but on her butt, which made her put her hand on it and jump in surprise.

"I missed you too, Minju."

"Don't do it again! What if someone sees us and I'm in trouble? You'll live your life, but I'll have angry fans after me!"

When did this happen? Both of you were walking, and now you were in her bedroom home. The room was dark red in color, it had a very beautiful interior, and on both sides of the bedroom there were lamps whose light was warm.

You can't figure out when you sent her home and how it all happened, but you're so pleased you can't even complain. Her body lay under yours while you were on top of her. You looked with a confused look at her semi-naked body, whose curves were clearly defined. Minju had a really sexy body that you craved to fuck already. Her soft breasts bounced slightly when you entered her pussy with your erection. You watched her beautiful moaning face howling in pain but also pleasure for the reason that you had just taken her virginity. Damn it! Why was she so beautiful?

At one point she had quite started moaning loudly but also pushing you lightly with her hand which seemed to automatically make you press your pelvis against hers. This made her moan loudly and you covered her mouth with your hand.

"And you mean to tell me you haven't been fucked before? You're too hot Minju.. it's a shame your CEO hasn't fucked you or the guys in the company. Better that way. You're mine now."

Your movements were difficult because of how tight she was down there. This narrowness made you curse but in a raspy voice, and finally you leaned over her and kissed her soft lips. Her lips were so juicy and she was gagging herself in her own saliva because of the way she was constantly moaning and shaking under your body. She was so tiny. Her body was petite and when she is by your side she always boosts your man ego. Over time you roughed up your movements inside her, her warm walls hugs your cock that was throbbing inside her desperate to cum.

"Y..Y..Y/N..!! Don't stop fucking me. Damn it! I'll cum!"

"What if I don't let you?" You asked with a sly smile, stopping your movements for a moment. This startled her and she started moving her pelvis up and down on her own. She was exactly the needy slut you wanted to see. This was the light in which YOU wanted to see Minju. How she desperately rubs into you to cum and begs you, followed by a whimpering.

"Then stop moaning so loudly and be a good girl to me. Open your mouth" You ordered her, and she obeyed you. You spat in her mouth and slapped one of her medium sized tits which made her purse her lips. You didn't like this action of hers, so you allowed yourself to slap her again, but this time on her pussy. This caused Minju to arch her neck back and begin writhing her body on the soft thousand dollar mattress. You noticed that there was blood on your hand. It was her virgin blood. The sheets were in blood, her thighs, you were in her blood yourself, but that motivated you enough to keep going until you felt yourself starting to cum inside her. You filled her tight hole with your cum, but that orgasm didn't even stop you because your goal was for her to cum too.

You gripped one of her legs below the knee and spread the other wide, using your fingers on her clit, which you rubbed hard and fast as your pelvis crashed against hers. Your balls started hitting her small but shapely ass as you watched her boobs bounce with your predatory eyes.

The moment she came you stayed deep inside her, causing her to shake her body intensely, especially her legs and moan even louder, finally pulling away from her. You began slapping your cock against her reddened pussy, finally beginning to rub it between her pussy lips.

You watched with interest as your white liquid flowed from her hole, unable to hold back and lick her pussy. This made her cover her lips with her hand, but you pushed her hand away and continued to lick her greedily.

"Did you think that was the end?"

•

•

•

AO3 VERSION HERE

[sparklingblu]

Limerence (ft. ILLIT Minju)

I don't even know what to call this. Somewhat of a fluff but not really a fluff either. Something that just pops into my mind.

"So he asked 'Is it better to speak or die?' "

"That's the stupidest story I have ever heard"

Minju leaves no chance for you to savour that feeling that comes after quoting something particularly clever. Or she's just being a jerk as usual.

"You are just anti-romantic"

You protest though you know she will have thought of a retort before you finish.

"There's nothing romantic about this story"

"It's a love story for christ's sake"

"Where's the 'love' ?"

You slump back in your chair, defeated. Either she's too dumb to understand your point or you are just bad at telling stories. The latter's probably more likely.

The story's not an ordinary one in the first place. It involves a knight and a princess but it ends neither with a 'happily ever after' nor a bloodbath where they both rip their hearts out. There isn't even an ending.

'Is it better to speak or die?'

The last sentence on this paper of the dusty hard covered book which has turned yellow from the years it have endured. It's a mircale how it's still intact.

You mummur the question under your breath, trying to make sense of the words. But they are still nothing more than a jumbled mess in your mind.

The funny thing is, this is not your first time reading this story. You are actually too familiar with it. The setting, the characters, the way it almost seems to tell the secret you have carefully hidden; it doesn't make sense that you are still confused what this single question everything has lead up to mean. Still, you are here, no wiser than the first time you have read this tale.

In some time immemorial in an unknown kingdom lived a princess and a knight, each a good friend to another. Perhaps because of this closeness, the knight started to feel something more than companionship to the princess. Feelings that shouldn't exist given their scoial status. The princess knew it too though she ptetends to be oblivious. Nonetheless, the knight found himself unable to express his desires - torn between the fear of losing what he currently has and the turmoil of hiding himself. So one day, when he took his usual walk with the princess through the garden, he mustered up the courage to ask one single question.

"Is it better to speak or die?"

The End.

Anyone can guess at this point that the knight meant if it's better to put his feelings into words and sacrifice their friendship or die knowing that he will never have what he wants. You wish it's that simple.

You and Minju have been stuck in the same page for an hour now, still having no idea how to progress your assignment. The task was a paper on an in depth analysis on a tale of your choice. Now you regret not choosing 'The Tortoise & The Hare".

"Why do you choose this one anyway? There are like a million other better choices"

Minju says, gesturing at the endless shelves of books that surround you on all sides. Not millions but perhaps a thousand other choices you could have made in this rectangular bank of knowledge; the local library.

Somewhere distinct, you hear a bell chimes, signaling the arrival to the later hour of the night. You glance at your watch. It's already 9 pm. A cough reasonates from the counter near the entrance, emitted by none other than the librarian. The ghastly old woman seems to be signalling that we don't have much time left.

I don't have much time left.

Minju's translucent pupils are fixed on you, still waiting for your answer. You break out of the haze.

"Because it's.."

'Relatable'. The word is 'Relatable'. But she doesn't need to know that. Never.

"Interesting I guess"

You finish, not quite daring to meet her eyes. She might see the guilt of your dishonest words in them.

"Seriously? This is interesting? Next time you think something is interesting, feel free to ask my opinion"

"Not everyone have great taste"

You mean it to be a playful jab but her face distorts to something along the line of fury and hurt. And her lips part.

No. Please don't be mad.

Please.

"Jerk"

Her words put out the flames of fear threatening to rise in your chest. There. All good. She's not mad.

You let out a sigh of relief but quickly mask it as a half formed scoff. She can't know. So you waver her attention.

"Tell me then. What's your opinion on this story apart from it being hopelessly stupid"

Her lips stretch to a soft smile. You have put her back into her comfort zone.

"It's not about love like you think. It's about cowardice"

"Enlighten me"

She crosses her arms, the pose she always takes before her rosy lips spill out a waterfall of the most beautiful syllables. It also makes her look superior. The table, which is the only thing between you two seems like a brick wall now.

"The knight doesn't say 'I love you' or anything of that sort, does he? He's scared out of his wits so he decided to go for a safer alternative. That question. It literally says 'I'm a coward who can't even properly confess' "

Is she mocking you?

Probably not. She doesn't know. She will never know.

Still....

'Is it better to spek or die?'

A coward's attempt at love; complicated and imperfect. At least he has the courage to mutter those cowardly words.

"You are not wrong but can't it be that he's just scared of losing her?"

Yes. You are referring to yourself.

But she won't know.

"He already loses her after saying these words"

"You don't know that. You don't know what the pericess's answer was. She could have accepted him"

"You don't know that either"

Now she's fighting you with your own words.

"What would you have answered if you were the princess then?"

Is that an indirect confession? An attempt to ask her opinion without facing the shame that comes after rejection? You hope not.

"I don't know...I would probably ask him to speak in English"

"Not funny at all"

Your answer makes her raise her brows in disbelief as if saying - "I know I will never not be funny to you. You are too obsessed with me not to."

But that's impossible. She doesn't know.

Has she spoken these words aloud, you would happily agree with her. But that's just momentary courage. Your tongue would be tied to knots in a hearbeat if that ever happens.

That begs the question again.

'Is it better to speak or die?'

"Whatever" she says in exasperation. "I'm not lovey dovey enough for this"

"Seriously. Just tell me what you would have said"

There. You are pushing again, desperate for that answer even if it's not directed at you. You would cling to a tiny hope if it's ever a positive one.

"I don't know. Probably tell him to speak because I don't want anyone going suicidal mode because of me"

"He will still go suicidal if you reject him after he confess"

"Why are you asking me those? Were you in such a situation before?"

You surpress a chuckle that nearly slips your tongue.

What a fool you are Minju. You can't even spot the truth that's hidden in plain sight. The truth that has gone rusty and rotten because it has been locked up for so long. Still, it's not her fault.

You have hidden it so well.

She doesn't need to know.

"Yes"

You can't believe you say the word. It's as if someone has possessed you and put those words on your tongue.

"Poor you"

And just like that, it ends.

You have expected her to push you, given her curious nature. You want her to lend you the courage to say those words you have mummur countless times in your dreams. But she just leaves you hanging there like that. Cruel.

Can't blame her though.

She doesn't know.

Another cough pierces through the invisible viel that has seperated you two from the world outside.

9:25 pm.

5 minutes away until this tedious session of back and forth ends.

Why is it that you don't want it to end?

The papers in front of you are bare as they were an hour ago. The book still turned at the same page. The question that haunts you still lies there, imprinted in black.

'Is it better to speak or die?'

Neither. Because that's a stupid question just like Minju said. It's constructed to mess with your mind. You gotta stop dwelling on it.

"Anyway-"

Chimes

That sound. It can only mean one thing.

Minju pulls her phone out of her pocket, the glow of it illuminating her angelic feature as she turns it on. Not a moment sooner, her lips hold the prettiest of smiles.

And in all the wrong ways.

"Gotta go"

Her dismissal cuts through the tense air as she hurriedly put the papers back into her bag. Is she that desperate to get away from you?

"My boyfriend's waiting for me. We have a date tonight"

You are not angry. It would be wrong. Though it's only natural to envy the one who's living your fantasy. But the faults are not in our stars.

"Alright. Goodnight"

Minju's footsteps echo on the mahogany floor as she finally escapes the torturous session you have put her though, flying away to an embrace better than yours in every way.

But it's ok.

Because she doesn't know.

She gives a quick wave to the old librarian who does nothing to reciprocate the action. That hag doesn't know how lucky she is.

"Minju"

You call before the rest of her form disppears through these creaking doors. She turns on her heels, a stray strand of hair clinging like an unifinished piece of art to her forehead. The shadows cast by the moonlight does nothing to hide her.

"Yes?"

You breath.

And utter.

"Is it better to speak or die?"

___________________________________________

Took the famous question from the movie "Call me by your name". Though I alter the story. Thanks for reading this madness.

[1lovehanni]

Fun in Fanmeet (Minju of ILLIT)

Minju x Male Reader (Y/N) Wort count: 2087 words Summary: A fan meeting leads to a fun experience for you.

You have been a fan of Minju ever since RU next; the way she has the visual and talent of a perfect idol is what captured your heart.

She has a unique voice, is a wonderful dancer, has a great personality, and lastly, has a gorgeous visual.

She indeed has such K-actress beauty that if she had pursued her acting career rather than her idol career, she would still flourish.

You’ve been playing the Super Real Me album 24/7, thinking of how this group started from being a nobody to a hit with their title song Magnetic. Eventually, a fanmeet has been announced in their official Twitter account. Reading through it, you saw a chance of having a one-on-one conversation with a member, but it was a random draw during the event. Nonetheless, the important part is to attend your favourite group and meet Park Minju. After the 150th album you just bought, you finally got a ticket for the fanmeet. A week has passed, and the day of the fanmeet is here. You’ve dressed as well as you can. You arrived early to the venue and chatted with some fans. And patiently waited for the fan meet to begin.

After some time, a staff member walked to the stage and announced that the fan meet was about to begin. Excitement rises in yourself; you're about to see Minju in real life. A loud cheer as the members each slowly walk. Yunah was dead gorgeous; same with Iroha and Moka. Then there’s the cutest Wonhee, but your eyes fixated on your princess, the queen of your dreams, the one and only Minju. The flower crown on her head makes her an angel that comes down from heaven to save you. Nonetheless, the fanmeet is starting with their hit song Magnetic. After that, they introduced themselves. Doing challenges, literally being themselves. Two hours have passed, everyone still has the energy to cheer, and the girls are still entertaining. But every event has to come to an end; eventually they draw the winner for the one-on-one convo. Since there are a lot of fans who attended, you thought that there's no chance you can win one, let alone win for Minju. But as the staff was picking the winner for Minju, they called in the person, but they had already left, so they redrawn again. This time, luck had come to you when they called your name.

Y/N is selected for Minju; please come right to the stage. You're dazzled by the announcement, and fans near you congratulate you for winning. You followed the instructions to come near the stage. They gave the five winners an envelope with the time and place where they could have a chit-chat with the idols. 

For you, the time is from 10pm to 12 midnight; you thought it's kind of late for a fan meet. It feels like a date for you, which isn't a bad thing but suspicious nonetheless. And the meeting place is private, which makes sense since it's a one-on-one conversation. Arriving at the place, it seems so empty—just 2 bodyguards and 1 staff member. You greeted them and handed them the invitation. Welcome Sir. Y/N, congratulations! Enjoy your date with Minju. ? Huh, did I hear you right? They didn’t talk after that. You entered the place and saw a table for two with a couch right next to it. You didn't mind the place, but suspicion arises since you haven't heard anything for the past 5 minutes. Walking to the door, you noticed the bodyguards and the staff left. You heard footsteps walking toward the door. You instantly hide as if a murderer is on you. The door opened, and a girl walked in. Where’s the guy? Minju said,Umm hi! "Shock.” OMG, why are you there? Ugh, I thought someone was about to kill me. So you won the draw? Yes, I did. I am Y/N, btw, and sorry to startle you. Haha, no worries; it kind of seems like a dark place, right?

Yes, it is.

You two casually just talked to each other for half an hour. You noticed she texted her staff to bring the food. This is fun—she said, Oh, yeah, different from a normal fan meet. Yeah, um, I just noticed my staff for the food; I'm getting hungry. Are you not? Oh, before I got here, I had already eaten. The staff knocked on the door to deliver the food for the two of you. Thank you! Miss Minju, text again if you need something. Both of you munch the food the staff delivered, and deep inside of you is screaming as to how you got to eat with Minju. 

After eating, she asked, Do you have a girlfriend or something? No, not at the moment, but you did have? An ex? Ye That's perfectPerfect? Well, I don't know if you're keeping up all this time. But you haven't just won a date with me; something else is better. Something else? Think Y/N; you're running out of time. Your head is full of confusion; you cannot think straight about what Minju just said. A lot of things are going on in your head. As you think, she stood up and got to the couch. Well, if you can't think of what I am referring to, you won't experience it. This just added to your confusion. Minutes passed, and you still can't think of what she's referring to. But then it hit. Is she giving a massage perk? I think I got it. Finally, you got it! But shouldn’t it be a flat bed rather than a couch? Huh? What? Are you thinking of massaging? Well, I can’t think of any. Ugh, you're too innocent but cute too. I like you, Y/N. But this isn't okay; it’s not massaging. Well,  it involves massaging, but in a special way, and you're the massagist. Huh? Me? Are you saying random things? Did the food make you think less? Shibal, I can’t take you anymore. It’s so simple yet you can’t get to it. Sorry, it’s just my first time, okay? I don't usually go to Fanmeets. It’s my first time too. Ugh, fine, since you only have an hour with me, I’ll do it. What are you going to do? Have fun, fun with you. Ugh, Y/N, I want you to fuck me here. That’s the prize you won; you won me for 2 hours, babe. What are you on? Are you really Minju? She then pinned you down on the couch, like the captured food of a predator.

This is what you won; I am your prize. So get it now before your time runs out. Min... Minju, I don’t see you like that; I like you but not like this. Why are you so cute? You're making me regret this.What? She then slowly removes her clothes—the white dress and her safety shorts—leaving her in her underwear. You're perplexed by the sight you're seeing. She then goes close to you and unbuttons your shirt. Please be gentle, you said to her. She mirks, going for your mouth. Feeling her dessert to you. You just follow what she desires in you. You alright, she asked. Eyep, I am fine. Strip me, touch my body. Y/N, you earned it. Okay, just like that, good boy. You have a silky smooth skin, Minju. I never imagined this. You’re really my fan, right? You mentioned you watched me in RU next Yes, I am Alright, I am gonna suck your dick now Um, okay, I’ll be gentle, I promise She takes off your pants and briefs. Showing your hard cock to your favourite idol She was shocked by the length and girth you have. Wow, you're so big. 

Thank you, I guess.

You gasped from the way she grabbed your rod, spitting on it as a makeshift lube. Slowly jaculating your dick. You are in ecstasy as seconds pass; you feel like you’re going to cum from just a handjob. Ugh, Minju slows down a bit. Am I reaching it already? I guess it's because of me. She slowed down a bit, but this time using her mouth. She kisses your tip, slurping her own spit on it. Tasting your pre-cum is like juice. She then takes it and swallows slowly, inch by inch, in her mouth. How is she good at this? You asked yourself. You thought this was why they'd debuted; they probably got used by the higher-ups. But you cleared that in your mind; you just thought of what is happening at the moment. Slurp.” Hmmm, I love your cock, Y/N. Its so big and juicy. I am glad you like it. I am getting close to it. She swallows all of it while looking at you, having the begging eyes like she's not satisfied. Alright, time to fuck me now, Y/N. You’re special since this is my first time with a fan. Are you not a virgin anymore? She nods, then gets up to align her freshly shaved pussycat with your dick. You feel your body losing strength as it enters the heavens of Minju. Oh my god, you’re so tight. I can’t believe I am inside you, Minju. Just like that, do you like it? Yes, I am getting comfortable now. That's what I want to hear. Now bring me your game. Yeah, fuck me all you want. She's in a cowgirl position on top of you, having the sight of a goddess and her small, cute tits. You moved your hips up, trying out how to fuck a girl. 

I am not good! That's right. You’re hitting my G-spot. The face she’s making fuels you. The cute, innocent-looking Minju is now a cute, hottie, sexy girl, wanting to be fucked. After a minute, she told you to change positions. Ugh, maybe doggystyle? I don’t know my position. Hmm, do you want to see my face? Then I’ll lay here and insert it while looking at me. Alright, you did what she said; you have a full view of her from top to bottom. Now, deep in this state, you just want to taste every part of her. You carry her legs to your shoulder and lick her toes. Wow, getting bold, good boy. Just like that, lick my toes. You get close to her as your body starts to lose some energy; getting this close to her wants you to kiss her. You tried to get it, but she avoided it. Um, sorry, no kissing yet. Oh really, my bad. No, I want to cause you’re cute, but that's one of the rules. Okay, Another change of position led both of you to lay down on the couch. This time you can only see her back, but your cock is still in her. Ugh, like that, Y/N, I am going to stop. You want me to stop? No, she shouts, Okay, okay, continue to fuck me like this. You continue to go inside of her, eventually feeling that her walls are getting tighter. Hinting that she's cumming.

Yes, ughh, ohhhh, yesss, just like that, I am cumming, babe. I am about to cum too, Minju GOOD. Yes, cum inside me. Yes, you can cum in me. YES, just fucking cum in me Okay okay OHHHHHHH, Yes cum in me baby. Ugh, this is so good. After cuddling inside her, both of you were just silent on the couch. She then hugged you and kissed your cheeks.

Don't tell them I kissed you, okay? Okay, I won't. Hmm, how about we do this sometime again, but with no time restriction? You down? For real? Yeah, I like you, Y/N. Maybe we can do more. Oh, alright, give me your number. She then gets dressed, giving you a wink. She looks like nothing happened, but the atmosphere in this small corridor is screaming sex.

I had fun. Did you? Yes. Hopefully next time you win again, haha. Well, I will try. Alright, I’ll call you later. Okay. She then left as the time with her ran out. You stand outside thinking of the things that happened today; not only did you meet Illit and Minju, you have just had the best experience a fanboy has ever had.

Hmm, what happened to the other four guys? Fin. A/N: A late Birthday smut for my girl. Is this the first Illit Smut here? Not proofread cuz I am lazy. Also it got fucked halfway in terms of formatting.